Out July 23, 2013
It's a race to the rescue as all your favorite Super Friends are back in
this all-new, crime fighting collection. Join the crusade as Batman,
Robin, Superman, Wonder Woman and Aquaman protect the innocent from
legendary creatures, rampaging robots and a rogues gallery that includes
Mr. Mxyzptlk, Bizarro and The Riddler. With the help of Wonder Twins,
Zan and Jayna and their space monkey Gleek, the Super Friends are ready
to battle evil from Earth to the far reaches of space. It's a collection
of fearless feats that will leap into your DVD collection!
Friday, May 17, 2013
Fantastic Four: Crusaders & Titans
Out Aug. 6, 2013
The return of a hero! A clash of titans! Team roster shakeups! The sensational seventies serve as the source of some of the FF's most scintillating sagas, as this colossal collection proves beyond a doubt! First, revisit one of Marvel's Atlas Era gladiators, the Crusader, as he makes his pulse-pounding return to Earth! Then, mania ensues as the Thing "Hulks Up" with his new tag-team partner, only to see his own FF membership placed in jeopardy by the most unlikely replacement member of all! Finally, soar to the stars as our fearless foursome vies against Galactus and his most "destructive" herald yet, only to be dealt an "impossible" situation back home!
COLLECTING: Fantastic Four 164-176
The return of a hero! A clash of titans! Team roster shakeups! The sensational seventies serve as the source of some of the FF's most scintillating sagas, as this colossal collection proves beyond a doubt! First, revisit one of Marvel's Atlas Era gladiators, the Crusader, as he makes his pulse-pounding return to Earth! Then, mania ensues as the Thing "Hulks Up" with his new tag-team partner, only to see his own FF membership placed in jeopardy by the most unlikely replacement member of all! Finally, soar to the stars as our fearless foursome vies against Galactus and his most "destructive" herald yet, only to be dealt an "impossible" situation back home!
COLLECTING: Fantastic Four 164-176
In the Days of the Mob by Jack Kirby
Out Aug. 13, 2013
After leaving Marvel Comics at the end of the 1960s, Jack Kirby came to DC, where he soon created the series of super-hero comics known collectively as "The Fourth World." One of his first projects for DC was the black and white magazine IN THE DAYS OF THE MOB, which featured on stories of organized crime in the 1930s in the style of the TV series "The Untouchables" and "The Godfather" movies.
After leaving Marvel Comics at the end of the 1960s, Jack Kirby came to DC, where he soon created the series of super-hero comics known collectively as "The Fourth World." One of his first projects for DC was the black and white magazine IN THE DAYS OF THE MOB, which featured on stories of organized crime in the 1930s in the style of the TV series "The Untouchables" and "The Godfather" movies.
Captain Easy Volume 4 by Roy Crane
Out Sept. 10, 2013
In the fourth volume of Fantagraphics’ Captain Easy series, our eponymous hero and his loyal sidekick Wash Tubbs answer a newspaper ad that they don’t know is years out of date, and wind up stranded in Guatemala with a busted landing gear and only five dollars to their name. Whoops! They need all their wits and ingenuity to get them out of this fix. Which they manage to do by the skin of their teeth, only to stumble onto a lost city in the jungle. Lost cities in the jungle are never good news, and so it is with our two boisterous heroes. Against all odds, they extricate themselves from this dastardly peril and head for home on a ship carrying tigers (Roy Crane loved to draw tigers). They’re out of danger, right? Wrong! What kind of a Captain Easy adventure would this be without our boys getting stranded on a desert island and encountering the beautiful but savage Wolf Girl (Crane loved to draw Wolf Girls!)? Don’t miss the last volume of Fantagraphics’ glorious reprint of Roy Crane’s full color Captain Easy Sunday pages. Full-color.
In the fourth volume of Fantagraphics’ Captain Easy series, our eponymous hero and his loyal sidekick Wash Tubbs answer a newspaper ad that they don’t know is years out of date, and wind up stranded in Guatemala with a busted landing gear and only five dollars to their name. Whoops! They need all their wits and ingenuity to get them out of this fix. Which they manage to do by the skin of their teeth, only to stumble onto a lost city in the jungle. Lost cities in the jungle are never good news, and so it is with our two boisterous heroes. Against all odds, they extricate themselves from this dastardly peril and head for home on a ship carrying tigers (Roy Crane loved to draw tigers). They’re out of danger, right? Wrong! What kind of a Captain Easy adventure would this be without our boys getting stranded on a desert island and encountering the beautiful but savage Wolf Girl (Crane loved to draw Wolf Girls!)? Don’t miss the last volume of Fantagraphics’ glorious reprint of Roy Crane’s full color Captain Easy Sunday pages. Full-color.
Walt Disney's Mickey Mouse Color Sundays: "Robin Hood Rides Again" (Vol. 2)
Out Oct. 10, 2013
He’s faster than a speeding arrow... more powerful than the Sheriff of Nottingham... able to leap high taxes in a single bound! He’s Mickey Mouse! He’s back in color — and traveling back in time: battling evil medievals in our second book of Floyd Gottfredson’s Sunday classics. Donald Duck, Goofy, and mischievous Morty and Ferdie are invited along too... if they dare! Standout stories in this volume include “The Robin Hood Adventure,” in which Mickey joins the Merry Men: swordfighting, jousting, and risking his life to rob the rich! Then Mickey faces Gold Rush gunslingers as the “Sheriff of Nugget Gulch”— and outwits the ever-sneaky Mortimer Mouse in “Mickey’s Rival!” Restored from Studio art sources and enhanced with a meticulous recreation of the strips’ original color, Robin Hood Rides Again also includes more than 30 pages of swashbuckling extra features. You’ll enjoy coveted non-Mouse Disney comics by Gottfredson; rare behind-the- scenes art; and commentary by a Round Table of Mickey scholars. Full color
He’s faster than a speeding arrow... more powerful than the Sheriff of Nottingham... able to leap high taxes in a single bound! He’s Mickey Mouse! He’s back in color — and traveling back in time: battling evil medievals in our second book of Floyd Gottfredson’s Sunday classics. Donald Duck, Goofy, and mischievous Morty and Ferdie are invited along too... if they dare! Standout stories in this volume include “The Robin Hood Adventure,” in which Mickey joins the Merry Men: swordfighting, jousting, and risking his life to rob the rich! Then Mickey faces Gold Rush gunslingers as the “Sheriff of Nugget Gulch”— and outwits the ever-sneaky Mortimer Mouse in “Mickey’s Rival!” Restored from Studio art sources and enhanced with a meticulous recreation of the strips’ original color, Robin Hood Rides Again also includes more than 30 pages of swashbuckling extra features. You’ll enjoy coveted non-Mouse Disney comics by Gottfredson; rare behind-the- scenes art; and commentary by a Round Table of Mickey scholars. Full color
Sucker Bait And Other Stories by Graham Ingels
Out Oct. 20, 2013
Even 60 years after their original release, in an era of explicit horror, EC Comics superstar Graham “Ghastly” Ingels’s grisly pages retain the power to shock. His loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs, and dismemberment — and all three combined to best effect in one of the standouts of this collection of his stories: “Horror We? How’s Bayou?” — considered the single most spectacularly drawn of all of EC’s horror stories, with a climax that would give body-horror king David Cronenberg nightmares. Ingels specialized in depicting the unimaginable. If you ever wondered what the vengeful, decaying corpse of an elephant stomping a woman to death would look like, it’s in here (“Squash...Anyone?”). Or living rats sewn into the bodies of a tyrannical king and queen (“A Grim Fairy Tale”)... or the results of injecting a “poison-pen” letter writer with literal poison and reducing him to, in the words of Al Feldstein’s script, a “foul-smelling, oozing pool of putrescence” (“Notes to You!”). One of the two Ray Bradbury adaptations in the book, “There Was an Old Woman” (about a deceased crone who simply refuses to stay dead) provides the closest thing to a note of sweetness that you’ll find here — perhaps with the exception of the genuinely romantic “A Little Stranger!” and its loving marriage between a dead vampire and a dead werewolf. Sucker Bait And Other Stories features 25 classic stories from Tales From the Crypt, Shock Suspen-Stories, Vault of Horror, and Ingels and his “Old Witch” character’s special showcase Haunt of Fear — plus the usual fascinating historical, critical, and biographical material. Black & white.
Even 60 years after their original release, in an era of explicit horror, EC Comics superstar Graham “Ghastly” Ingels’s grisly pages retain the power to shock. His loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs, and dismemberment — and all three combined to best effect in one of the standouts of this collection of his stories: “Horror We? How’s Bayou?” — considered the single most spectacularly drawn of all of EC’s horror stories, with a climax that would give body-horror king David Cronenberg nightmares. Ingels specialized in depicting the unimaginable. If you ever wondered what the vengeful, decaying corpse of an elephant stomping a woman to death would look like, it’s in here (“Squash...Anyone?”). Or living rats sewn into the bodies of a tyrannical king and queen (“A Grim Fairy Tale”)... or the results of injecting a “poison-pen” letter writer with literal poison and reducing him to, in the words of Al Feldstein’s script, a “foul-smelling, oozing pool of putrescence” (“Notes to You!”). One of the two Ray Bradbury adaptations in the book, “There Was an Old Woman” (about a deceased crone who simply refuses to stay dead) provides the closest thing to a note of sweetness that you’ll find here — perhaps with the exception of the genuinely romantic “A Little Stranger!” and its loving marriage between a dead vampire and a dead werewolf. Sucker Bait And Other Stories features 25 classic stories from Tales From the Crypt, Shock Suspen-Stories, Vault of Horror, and Ingels and his “Old Witch” character’s special showcase Haunt of Fear — plus the usual fascinating historical, critical, and biographical material. Black & white.
Out Nov. 20, 2013
It’s in this volume (featuring another two years’ worth of Pogo strips) that we meet one of Walt Kelly’s boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy. The subject was sensitive enough that by the following year a Providence, Rhode Island newspaper threatened to drop the strip if Malarkey’s face were to appear in it again. Kelly’s response? He had Malarkey appear again but put a bag over the character’s head for his next appearance. Ergo, his face did not appear. (Typical of Kelly’s layers of verbal wit, the character Malarkey was hiding from was a “Rhode Island Red” hen, referencing both the source of his need to conceal Malarkey and the underlying political controversy.) The entirety of these sequences can be found in this book. But the Malarkey storyline is only a tiny portion of those rich, eventful two years, which include such classic sequences as con-man Seminole Sam’s attempts to corner the market on water (which Porkypine’s Uncle Baldwin tries to one-up by cornering the market on dirt); a return engagement of Pup Dog and Houn’dog’s blank-eyed Little Orphan Annie parody “Li’l Arf and Nonny”; Churchy La Femme going in drag to deliver a love poem he wrote, Cyrano style, on Deacon Mush-rat’s behalf to Sis Boombah (the aforementioned hen); P.T. Bridgeport’s return to the swamp in search of new talent; and of course two rousing choruses of “Deck Us All With Boston Charlie.” In addition to presenting all of 1953 and 1954’s daily strips complete and in order for the first time anywhere (many of them once again scanned from original syndicate proofs, for their crispest and most detailed appearance ever), Pogo Volume 3: “Evidence to the Contrary” also contains all 104 Sunday strips from these two years, presented in lush full color for the first time since their original appearance in Sunday sections 60 years ago — plus the usual in-depth “Swamp Talk” historical annotations by R.C. Harvey, spectacular samples of Kelly’s work scanned from original art, and a whole lot more! Black & white with 104 pages of color.
It’s in this volume (featuring another two years’ worth of Pogo strips) that we meet one of Walt Kelly’s boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy. The subject was sensitive enough that by the following year a Providence, Rhode Island newspaper threatened to drop the strip if Malarkey’s face were to appear in it again. Kelly’s response? He had Malarkey appear again but put a bag over the character’s head for his next appearance. Ergo, his face did not appear. (Typical of Kelly’s layers of verbal wit, the character Malarkey was hiding from was a “Rhode Island Red” hen, referencing both the source of his need to conceal Malarkey and the underlying political controversy.) The entirety of these sequences can be found in this book. But the Malarkey storyline is only a tiny portion of those rich, eventful two years, which include such classic sequences as con-man Seminole Sam’s attempts to corner the market on water (which Porkypine’s Uncle Baldwin tries to one-up by cornering the market on dirt); a return engagement of Pup Dog and Houn’dog’s blank-eyed Little Orphan Annie parody “Li’l Arf and Nonny”; Churchy La Femme going in drag to deliver a love poem he wrote, Cyrano style, on Deacon Mush-rat’s behalf to Sis Boombah (the aforementioned hen); P.T. Bridgeport’s return to the swamp in search of new talent; and of course two rousing choruses of “Deck Us All With Boston Charlie.” In addition to presenting all of 1953 and 1954’s daily strips complete and in order for the first time anywhere (many of them once again scanned from original syndicate proofs, for their crispest and most detailed appearance ever), Pogo Volume 3: “Evidence to the Contrary” also contains all 104 Sunday strips from these two years, presented in lush full color for the first time since their original appearance in Sunday sections 60 years ago — plus the usual in-depth “Swamp Talk” historical annotations by R.C. Harvey, spectacular samples of Kelly’s work scanned from original art, and a whole lot more! Black & white with 104 pages of color.
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